“HARRY
POTTER AND THE HALF-BLOOD PRINCE”
“Exactly who is the Half-Blood Prince,” you might
ask. But the answer doesn’t come until nearly the end of this 153-minute film
journey illuminating the adventures described in the first half of this sixth novel
by the transcendent British author J.K. Rowling. The seductive power of the
fantasy world she creates with words has become both a strength and weakness in
the cinema world.
Fans of the Harry Potter books don’t really need to
see the films. And film fans who don’t read the books never quite understand
what’s spiraling across the screen. We do appreciate the fidelity all the
filmmakers have applied in recreating the atmosphere of Rowling’s books. It is
always enchanting and foreboding, much like the real world of every young
person.
The bad news for movie buffs is that this time out,
as adolescence wraps its taut fingers around the hearts of Harry, Ron and
Hermione, the dark plot that will charge Harry’s entire adult life becomes even
more inscrutable. On the surface, it seems like solid Harry (Daniel Radcliffe)
is leading a student revolt against the Dark Forces led by devilishly sinister
Lord Voldemort (who doesn’t appear in this picture).
But as the battle between light and darkness begins
to take on more mythic proportions, this film directed by David Yates becomes
more timelessly Gothic spiraling into a black hole of foreboding shadows. We
remember there used to be talk that Harry would grow up to be the Chosen One,
some sort of wizard-like Jesus who would create a golden world of kindness for
everyone.
So we begin to wonder, will the benevolent Professor
Dumbledore (Michael Gambon) save Harry by uncovering some fatal flaw in the
student personality of Voldemort when he was a brilliant pupil at the Hogwarts
School of Witchcraft and Wizardry? Guest professor Horace Slughorn (Jim
Broadbent) is called out of retirement to lend Dumbledore a hand, comparing
their memories of this twisted boy. Searching for the clue that will unravel
his past.
Adding his own twist is Professor Snape (Alan
Rickman), who could be a double agent pretending to be evil just so he can
learn the Dark Lord’s secrets. Or maybe Snape is only pretending to be good
because, at heart, he is evil.
Fans of both the books and the films are titillated
by the prospects of magical hormones stirring in Harry, Ron (Rupert Grint) and
Hermione (Emma Watson). So far, we only get a teasing taste. Radcliffe may be
appearing nude on London stages on his off time, but on the screen as Harry
Potter the actor is still mostly, convincingly innocent.
Ron is becoming a quidditch jock and a dufus, which
can be entertaining. But we have to wonder what the demure beauty Hermione
could possibly see in Ron as mating material. Rowling’s cinema translators have
yet to write the big scene that defines Hermione’s personality.
So far, Harry is growing up to be a James Bond type
of gentleman’s rogue. Ron will become the sort who will make a killing in the
construction business. Hermione, though less defined, could achieve Princess
Diana’s beloved greatness with the people. We must all hope Watson the person
doesn’t succumb to the temptations of, say, Britney Spears.
So here’s the thing. “Harry Potter and the
Half-Blood Prince” has some dazzling digital special effects, some moments of
sweet love and some heavy metal conflicts. For less motivated Potterheads, it
will also drag in the middle. But we can all go in knowing the greatest Harry
Potter movie has yet to be made.